February 15, 2012 3:49pm
The international exhibition which took place in 1929, Stuttgart, was a significant testimony to the industrial world’s acceptance of photography. The exhibition betrayed a new recognition of the camera’s capacity for expression and for its value as a means of seeing and knowing the larger world. At the exhibition, both sides of the Atlantic were on show, with Edward Steichen and Edward Weston compiling an American section. Other publications of the period wrote strong testimonials in support of the work that was on display at the exhibition. Examples of publications that coincided both in time and content with the exhibition are Warner Graff’s ‘Here Comes the New Photography’, and Franz Roh’s ‘Photo-Eye’ .

As opposed to photography in the USA, in Europe, the direct approach that was adopted in the States was just one option amongst numerous possibilities in photography styles. Karl Blossfeldt, a fantastic photographer who always had his usb camera lead with him, pioneered The New Objectivity for example.
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